Main | January 2006 »

November 24, 2005

Kennedy Center Family Theatre Opening

The new Youth And Family Theatre at the Kennedy Center will be the first new theatre at the center in 20 something years, and the opening ceremony on December 2nd promises to be a star studded event and a whole lot of fun. The new system includes JBL boxes and the house engineer will sit behind a Yamaha PM5D. Along with the event, I'm designing the first show in the theatre, which is called ALICE, by Kim Hines, based on the Whoopi Goldberg children's book. I'll post production photos when they become publicly available.


ALICE will be the first play in the new theatre.


You can get more information about ALICE at Kennedy Center

You can visit Kim Hines' site at Kim Hines

Update: December 6, 2005

This was an invitation only event, and took place on December 2nd.

The Evening was presented by Michael M. Kaiser, President, The Kennedy Center.

Performers:

The Broadway Junior all Stars
Kristin chenoweth
Andrew Lippa
Itzhak Perlman
Arthur Mitchel and Dancers from Dance Theatre Of Harlem School
Dr. Billy Taylor
Branford Marsalis
Melissa Manchester
Hayley Westnera
Desmond Richardson
The Debbie Allen Dance Academy
Duke Ellington School of the Arts Concert Choir.

The curtain call was amazing, as all the talent from the show assembled for a group bow.

November 21, 2005

Audio Sample Formatting

I've been spending quite a bit of time deciding how to format the audio samples on this site, and it's not as easy as it looks. There are a number of circumstances to consider, and my links went through a few different generations before I landed on the present format.

Which Media Format to Choose

Quicktime: Optimized for the web (smaller file size), but not all visitors have the quicktime plug-in. Don't want to exclude those who do not.

Windows Media: Also optimized for the web, but again not all visitors will have this plug-in.

Real Media: Personally I don't care for all the extra junk that is installed with the real player.

AAIF or Wav: These allow the visitor to hear the music on his/her computer's default music player, but the visitor must wait for the large file to load before she hears any music.

mp3: This was my choice because an mp3 is a smaller file, and is a universal format.

To Link Or Not To Link

The goal is to make it as easy and as pleasent for the listener as possible. The visitor should be able to click on the title of the song and hear music without having to bother with the mechanics of links or redirects. When done with one audio sample, the visitor should be able to just click another title to hear the next sample, then another, then another, etc. Therefore the nature of the link to the music file should not forward to another page.

You might try the old "target=blank" parameter in your html link, which will force the browser to open a new page, but in my opinion, closing those resulting pages is just more bother than I care to subject my guest to. Furthermore, It might actually discourage the visitor from clicking on more titles. Also, remember, there are many types of browsers, including explorer, safari, netscape, opera, AOL, and firefox, to name a few. The "target=blank" tag could have unexpected results depending on the user's browser and other personal settings.

I decided to use java to open the file as if it were a pop-up window when the title is clicked. This allows the visitor's default player to open and execute the music file. The listener should already be familiar with his computer's default player, so we're not forcing our guest to download any player that he/she may not want to download. Here's the code:

And it looks like this:

"Into The Gallery"

Go ahead, put your cursor over the text and click on it.

Text Formatting

You might notice a couple of things about the "link" text. First, it doesn't look any different that any other text on the page. There is nothing to inform the visitor that it is actually a link. Secondly, the cursor doesn't change when it hovers over the text. Again, there is nothing prompting the listener to click on it to hear the sample. A little bit of html code will fix that.

First let's format the text. My style sheet instructs the other links to appear maroon, or more specifically "font color="#990000". A simple font tag around the text changes that. Also, I wrap the text in underline tags. So now the code looks like this:

And the link looks like this:

"Into The Gallery"

That looks more like a link. Yet, notice how the cursor behaves over the "link". A hand pointer would be another indication that it is clickable. A simple p class in the style sheet fixes that:

Then, wrap your java in the p tags like this:

And now the cursor behaves the way we want it to:

"Into The Gallery"

Why not just create a new class in the style sheet?

Good question, and the answer is simple. Specific blog entries will have specific needs. For example, if I want to have regular text adjacent to an audio sample link (which I do in the "Charlotte's Web" entry in the audio samples category), I'm going to have to put tags around individual words anyway. It's faster to just copy the code from another link and change the two or three parameters to customize the link to the specific audio file. I use the entire code on each link to keep it modular.

In Conclusion

So now you have the incantation I use to put the spell on the audio sample links. Use it if you want to. If you can see a more efficient way to do the same thing, put that in a comment and share it with the world, ok?

One final note. I considered embedding the files in the html page itself, and had no luck. It was too clunky, and with all that imbedded data, the page took a long time to load. If you have a better way of doing it, share with the group.

Charlotte's Web

Charlotte's Web was produced by Imagination Stage in Silver Spring, Md, and directed by Kate Bryer. The musicians employed for this music were:

Jon "Baltimore Jonny" Glick - fiddle
Daniel Knicely - guitar, mandolin
Neil Knicely - upright bass.

The songs were arranged by the four of us in the studio. We recorded at the Footworks Ranch.

Slumber Swing*

Slumber Lullabye* (to be sung by actor playing "Charlotte")

Dark As A Dungeon

Far Away

Minor Swing

Flop Eared Mule

'Tis A Gift

Over The Waves

*Original Music written for the show.

The Clandestine Marriage

The Clandestine Marriage
by David Garrick and George Colman
Directed by Richard Clifford
Produced by The Folger Theatre, Washington, DC (affiliated with the Folger Shakespeare Library)
--------------------------------------------------------------------------------
with Lindsay Allen, Ian C. Armstrong, Chris Davenport, Aubrey Deeker, Catherine Flye, Susan Lynskey, Shannon Parks, Ian Merrill Peakes, Jenna Sokolowski, Lawrence Redmond, Michael Tolaydo, Ted van Griethuysen, Jack Vernon
Scenic Designer: Tony Cisek
Lighting Designer: Nancy Schertler
Costume Designer: Kate Turner-Walker
Sound Designer: Tony Angelini

All music was co-written with Jen Cartney and myself, and Jen played the harpsichord (actually she played the harpsichord patch on her kurzweil pc-88).

"Lover's Theme"

"Into The Gallery"

"3 Piece"

"Lord Ogleby's Theme"

"4 Piece"

November 20, 2005

Tony's Bio

Tony has composed music and designed sound for over 100 plays and musicals around the USA and internationally. He has designed shows off-broadway and off-off broadway, as well as many productions for The Kennedy Center, The Signature Theatre, The Shakespeare Theatre in Washington, DC, San Diego Repertory Theatre, The Repertory Theatre of St. Louis, Jomandi Productions in Atlanta, The Hamptons Shakespeare Festival, The Round House Theatre in Md, The Olney Theatre in MD, as well as The Glen Street Playhouse in Sydney, Australia, The Townhall Theatre in Gallway, Ireland, National Theatre of Cuba, to name a few.

He is also the Technical Director and Sound Designer for the internationally acclaimed FOOTWORKS percussive dance ensemble.

Tony teaches sound design and theatre at The Roundabout Theatre in NYC, and is a regular contributor to Pro Audio Review Magazine.

Although he maintains an place in Manhattan, Tony resides with his wife in Washington, DC.

November 17, 2005

Shift Change

SHIFT CHANGE, by Ben Carlin, was produced in New York by Hip Pop Productions, and Directed by Shawn Rozsa. Eric Peterson played the younger man, and Chet Carlin played the older man. All music was written and produced by me.

Audio Samples:

Show Opening - "Cheese It!"

"Goodnight, Graduate"

End of Act 1 - "They're Here"

Montage of various scene change music and underscore

(all music copywrite: Tony Angelini. Please do not use without permission)

November 16, 2005

The Art Of Sound Design

"The Sound Designer truly uses both sides of his brain. It behooves him to understand the artistic generation and application of effects and music, while simultaneously he maintains an equal duty to learn the technicalities of his tools so he can manipulate them in an artful way."

- Tony Angelini

The Frankinator

Wrote and produced this in my studio just for the fun of it. Click on the link to listen:

"The Frankinator"

copyright: Tony Angelini (do not use without permission)


If you have trouble with the link, let me know, ok?

For Now, more audio samples can be found here

November 14, 2005

Frog And Toad - RoundHouse Theatre

Update: Just finished technicals for FROG AND TOAD at The RoundHouse Theatre in Bethesda, Md. The process is going very smoothly, as there are good people working on the sound team and we were well prepared in advance. Every one of the five performers are top notch, and we're all having fun with this very sweet show directed by Nick Olcott.

Will post production photos as they become available.






Bobby Smith plays "The Snail with the Mail" (By Stan Barouh -- Round House Theatre)



Will Gartshore as Frog and Steve Tipton as Toad (By Stan Barouh -- Round House Theatre)

November 10, 2005

Sound Design Over the Internet?

If you would like me to design sound for your production but your budget doesn't allow you to fly me out and put me up, one option is for us to work via the web.

A webpage can be created where I can post sound cues in mp3 format. Your theatre can listen to and/or download these files to use in rehearsals, and you can email me with notes. For the final performance sound cues, I'll post better quality wave files, or I can FED EX a CD or minidisk to you.

I've done this very successfully with The Glen Street Playhouse in Sydney, Australia, and with other theatres around the country.

Also, If your theatre has a Stage Research SFX system, I can even program the entire show in my studio and just send you the program files via the web or I can FED EX it to you.

November 07, 2005

The Sound System Explained

In my days as the rental manager for a large sound company, I often dealt with customers who wanted to rent gear without knowing the slightest idea how to use it. I'd often get calls asking about wireless microphones from people thinking that was all they needed. They had no idea that they also needed a mixer, equalizer, amplifier, and speakers to cover the audience area. I guess they figured the microphones would be enough.

There can be many parts to a sound system, and putting them all together can get complicated and confusing. There are speakers, microphones, CD players, amplifiers, mixers, amplified mixers, amplified speakers; and what is the difference between a graphic equalizer and a parametric eq, anyway? Relax. It's not really that hard. Remember the old slogan for the board game Othello? It takes a minute to learn and a lifetime to master. A public address system is not at all like that.

What's a Sound System For, Anyway?

A sound system has one purpose only: to deliver the sound to the listener in a deliberate way.

A reinforcement system will amplify whatever the microphone picks up and deliver it to the audience through speakers. In this case, the goal of the engineer would be to make the sound in the back of the house about as loud as it would sound up close. One might also use a reinforcement system for artistic reasons. For example, a cabaret singer may use a microphone to energize her performance and musical impact, even if no reinforcement needed for her to fill the room.

A remote delivery system enables people to hear each other over distances. A telephone or teleconferencing systems are remote delivery systems. Speakers placed in the overflow rooms of a large event would also be considered a remote delivery system.

A car stereo system delivers the signal from the CD to your ears via the amp and speakers. A guitar amp delivers the sound from the guitar to your ears via...you guessed it, the big ol’ speaker driver in the cabinet.

So What Is It?

Let's start with the term "Sound System". Accent the word "system" - a group of elements working together for a single purpose. More terms: P.A. system, stereo system, talkback system, surround sound system, monitor system. Notice a trend? Now, before we dive into exactly what those elements are, let's talk about the concept of signal flow.

Signal

Sound travels. To be more specific, sound energy travels. If it didn't travel, well, it wouldn't be sound. One air molecule excites another air molecule, which passes the energy forward. When the sound is picked up by a microphone, that acoustical energy is changed into electrical energy. That's called transduction. Transduction is when one form of energy is turned into another form of energy. A microphone is a transducer that converts sound energy into electrical energy. When the energy is acoustical it's called sound, but when the energy is converted to electrical energy, it's called signal.

Like sound, signal also travels, flowing through the circuits of the latest high-tech thingamabobs or through the wires that connect them. You might think of signal as water flowing through the pipes of a P.A. system, if that helps, but I like thinking of it as electrical current. That's just me.

The basic concept of signal flow is one of the most important tools you'll have when assembling or operating a sound system. Picture in your mind the paths that the signal can take through the microphone, the cable, the mixer, and so on. If you do that, you can get to a point where you’ll be able to tell where a problem is just by listening.

Elements Of a Sound System

All sound systems contain three basic elements. Your son's rock band, the Congressional press conference, the surround system in your local movie theatre, even the huge sound system in Redskin's stadium all break down to three basic components. They are: Input, Processing, Output. The signal flows in, gets messed with, and flows out.

Input - The Signal Flows In

The first time I worked with Donna Migliaccio, I strapped a mic to her head. Sheri Edelen was in the show and I put a microphone on her. Michael Sharpe also wore a mic, as did everyone else in the cast. The tiny house sat 230 people. Those 230 people got a dose of input they'll not soon forget. Microphones are one source of input. They're used for live input. If you ever work with Donna Migliaccio, Sheri Edelen, or Michael Sharpe, make a note. They almost never need one.

Other types of transducers would be contact pickups, often used on guitars or other acoustic instruments, or the magnetic pickups of an electric guitar. Other types include tape heads, phonograph cartridges; even the laser in a compact disc player is a transducer. Such recorded input is generally referred to as playback.

Then there are electronic instruments like synths, electric pianos, electric drums, etc.

Processing - The Sound Gets Messed With

Once the signal is in the system it gets processed. You want to change it in some way, right? After all, that is the whole purpose of the sound system in the first place. These include equalizers, effects processors that add reverb, delay, etc., dynamic processors like compressors, expanders, and limiters. Then there are toys like aural exciters (ugh), tube warmers, digital delays, and feedback eliminators (ugh again), to name a few.

While all of the above are good tools to have when used for the right purpose, there is really only one processor that must be included in all sound systems somewhere in the signal chain. Somewhere down the line there's got to be an amplifier to make the signal loud enough to hear. Most sound systems include many amplifiers, since each piece of gear usually has at least one built in somewhere.

Output - Signal Flows Out

The final step in this transonic triad converts the signal into acoustical energy with, what else? Speakers. They come in all shapes and sizes, from the ear-bud plugged into your cell phone to huge line arrays hanging from the ceiling, juxtaposed between you and Erika Badu. Tweeters, mid-range speakers, and subwoofers are all transducers.

In Conclusion

The three components that make up a sound system are input transducer, processor, and output transducer. If you remember that, you're golden.

November 06, 2005

Welcome to The Next Generation

Hi, Thanks for coming to my site. The new design concept is officially launched. In the days and weeks ahead, as I learn more about this software, I'll update the site to make it easier to get around.

I plan to publish some of my articles on the science and art of sound design, from conceptual theory to practical application. When? That depends on when I have time. I design two or three shows every month, as well as special events and other one-offs, and always have three or four projects in the works. I schedule my time down to the minute. Rest assured, though, they'll be coming 'round the mountain relatively soon.

For those of you who don't know, but care to, I am a Sound Designer that specializes in Theatre and Dance. I'm a true megalopolitan; although based in Washington, DC, I also have a place in NYC for my work there. You can see my bio if you click the link on the right.

For those of you that enjoyed my old site, you can still view it:

Main Page
Plublished Articles
Some Audio Samples (Will be adding much more as I have time)
Permanent Installs
Sound Design for your production via the internet

Feel free to contact me anytime at tonyangelini@aol.com.

Oh, one last thing. You can leave a comment here if you like. Ask a question or just say hello.

Tony's Resume

Feel free to view my resume, or even download the pdf Here

You can hear audio samples Here

November 01, 2005

News and Reviews Links

potomacstages.com